Tuners are listed alphabetically by manufacturer
and in alphabetical and numerical sequence by model number. In
parentheses after the model number are the year of introduction and
most recent list price, and/or the original list price if indicated
by "orig" (special thanks to David Rich of The Audio Critic for
copies of historical material from his reference library). Please
see the On-Deck Circle for tuners that
we know very little about or that we're not sure merit a writeup. We have posted updated eBay sale price data in this section through April, 2006 (more recent data has been recorded but is not yet posted); data for "as is" or damaged tuners, or otherwise unrepresentative auctions, may be excluded.
Magnum Dynalab
FT-11 (1988/$575 black, 1990/$495 silver, 1993/$545, photo)
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There were three different versions of the FT-11 and we have not
figured out all of their similarities and differences. The FT-11,
like other Magnum Dynalab tuners, has an analog-style tuning knob
but uses varactor tuning (the equivalent of 4 gangs) rather than a
mechanical tuning capacitor, MD's typical minimalist styling and a
large digital frequency readout. With a single IF bandwidth and
only 2 ceramic filters, the FT-11 needs some help in the
selectivity department. Antenna Performance's amplified filter
board, which would convert the 2 filters into 4, would be one
possible solution. Our panelist Jim listened to two versions of the
FT-11 and has this report: "The earlier version had what looks to
be the same audio stage as the FT-101 and 101A. This includes the
dated NE5532 op-amp. Both the FT-11 and FT-101 also use 4.7uf
output caps. It should not be surprising the the FT-11 sounds much
like the FT-101 in stock form, with both having a rather recessed
midrange. The bass isn't bad but there is a little too much treble.
The ICs in the older version are an LM4500AM, the 5532 (which they
painted over with red paint), and an LM1965N. The new version looks
to get its audio from a larger IC. It uses the same LM1965N, but
downstream there is a Philips TDA1578A chip instead. The newer
version of the FT-11 has a vent on the top and much better-quality
RCA output jacks, and is also sonically much more pleasant to
listen to. The treble is just there without being in your face and
the midrange gives a more realistic image between the speakers. In
the photo, the old version has the
blue board. You can see the 5322 op-amp to the right of the filters
in the bottom right corner (the black square). There's a very
straightforward mod that will really improve the sound: Replace the
5532 IC with a good bi-FET and put 5uf or larger good coupling caps
at the output." See how the two versions of the FT-11 sounded
compared to other top tuners on our Shootouts page, and read our panelist
David "A"'s Ricochet. The
FT-11 can sell for $150-300 on eBay.
[EH][JR]
Magnum Dynalab
FT-101 (1985, $495, photo, Audio review, Hi-Fi News review)
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The FT-101 is a very clean-sounding tuner with an analog-style
tuning knob (despite using varactor tuning rather than a mechanical
tuning capacitor) and a digital frequency readout. It has the
electronic equivalent of 4 gangs and 3 ceramic filters. Several of
our contributors praise the FT-101's sound and our contributor Ed Hanlon
suggests that a modified FT-101 might be an ideal choice for an
audiophile/DXer. Its sensitivity is terrific, on a par with the top
Kenwoods (except the 600T/917), Sansuis and Pioneers, but like most
tuners it can use a filter mod for maximum selectivity. See how one
FT-101 sounded compared to other top tuners on our Shootouts page, and read our panelist
David "A"'s Ricochet.
The FT-101 usually sells for $400-500 on eBay, with a recent low of
$322 (in 3/04) and a recent high of $599 (in 1/04).
Magnum Dynalab
FT-101A (1990, $875-1,075, photo)
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The first FT-101A was a virtually identical successor to the
FT-101, but there were at least five different versions of the
FT-101A and four more versions of the upgraded "Etude" version
(1990, $1,350-1,550 and a 24-carat gold faceplate version for
$3,000) and we don't have much information about the similarities
and differences among them. Our contributor Ed Hanlon says the FT-101A "must
be worked on to be appreciated. After a proper alignment, these
tuners are VERY sensitive. The FT-101A uses 3 filters, 2 in wide
and the third added in narrow. The latest 101A I saw had 180 kHz
filters in position 1 and 2, and a 150 in position 3. Good for
DX'ing maybe, but not for sound quality, so I used 280's in CF1 and
CF2, then added a 3-filter amplified filter board in CF3, loaded
with 150's. Wide bandwidth sound improved dramatically, and narrow
bandwidth performance was improved as well. The FT-101A must have
its output caps replaced for best sound. Later versions have an IEC
jack already installed. The FT-101A is a wonderful all-around
performer that sounds incredible after mods, and is perfect for the
audiophile who wants DX performance as well." But another
contributor is less than impressed by the FT-101A's build quality
and parts selection: "I am really surprised there isn't a Chinese
knockoff of the FT-101A kicking around. It could be very profitable
for someone at a retail of say $300. The latest FT-101A has a few
all-in-one Philips chips, one of those oscillator/mixer/IF amp
specials, with an IF amp/demodulator following it. Basically the FM
part of a $99 car radio/CD player for what, $1,400? It is pretty
cheaply built, for what goes into it. I think those chips cost
$1.30 each." Our contributor Todd compared an FT-101A to a Kenwood
KT-5020: "The Magnum was a store demo unit bought 8 years ago and
has never been aligned as the Kenwood has... [but] it has seen some
mods, like Black Gates, HexFreds, case dampening, bypassing the
op-amp and ERS paper around the transformer, so it really should be
doing better than stock. I have done some standard audiophool
things to the KT-5020 (clean connectors, dampen the thin chassis,
mount transformer on o-rings) but nothing electrical, and I've got
to tell you that in comparison, the FT-101A with the Signal Sleuth
sounds much thinner, with less body on instruments. One could
almost say 'Where did the drums and bass go?' The Kenwood's noise
floor is quieter and has much better 'room feel'; with the FT-101A,
the instruments sound like they are recorded in an anechoic
chamber, with little reverb or depth. My comparison was done with
headphones to be able to get down to the smaller details." And our
contributor Ryan posted maybe his best rant yet, in our FMtuners
group, when he tested a particularly poor specimen of an FT-101A.
We don't know which of the many versions of the FT-101A he
had.
Our contributor
Robert did some mods on an Etude: "I modified my FT-101A Etude
tuner and found some things I had not read that may be of interest.
First, it has an LM4500A as you describe; however, there is a dual
op-amp on the high-gain output. It had the following numbers on it:
7558, SA 4385, and 8601 CM. I've searched all over and cannot find
it, but after studying the circuit and making measurements, it is a
dual op-amp, probably like a 4558. The most surprising finding was
that the op-amp had a single-ended supply at +12VDC. Cheap design -
not even a dual +/- supply! This created an obvious 5VDC offset for
the high gain and a 2.5VDC offset for the low gain. DC is blocked
by 13uF PP caps. It make me wonder how they could offer a balanced
output with only a single-ended supply. It seems this lousy setup
makes for more work in the long run. The lack of a bipolar power
supply made me re-think any serious mods. However, I did replace
the dual op-amp with a AD8620 that I placed on a BrownDog 8-DIP
adapter. I also added a bypass 0.1 uF cap from +V to -V (now the
ground in their single-ended supply) directly on the adapter. The
gain of this section is 10k/3k, or about 12.7 dB. The low gain
setting simply bypasses the dual op-amp. I did not replace the
output caps and left all alone after simply replacing the dual
op-amp. (The AD86x0 series runs at up to +/-13VDC; it is not spec'd
for a single-ended supply, but it works just fine.) The sonics of
the modified version are now smoother through the midrange than the
stock Etude. In comparing this modified Etude to my stock Yamaha
T-2, I think I prefer the overall tonality of the T-2." A basic
FT-101A usually sells for $400-700 on eBay (the most common range
is $500-600), with a high of $801 in 2/03. The Etude model usually
sells for $510-750 on eBay, with a recent high of $814 in 2/04 and
an all-time high of $909 in 8/03 for one with a gold faceplate. On
our panelist Jim's Shootouts page, you can see how one FT-101A and one Etude sounded compared to other top
tuners. Our panelist David "A"'s Ricochet has
more on the FT-101 family.
[DA][EH][JR]
Magnum Dynalab
MD-108 (1996, $5,850/orig $5,500) search eBay
See how one MD-108 sounded compared to other top tuners on our
Shootouts page, and read our
panelist David "A"'s Ricochet. A
handful of MD-108s have sold for $2,281 to $4,200 over the past few
years, with both extremes coming in 8/05.
[DA][JR]
McIntosh - See the Tube Tuners page for information on
several McIntosh tube
tuners.
McIntosh MR
73 (1969, $550)
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Honorable mention. The MR 73 is very common and usually sells for
$325-475 on eBay, with a low of $278 in 8/04 and a recent high of
$688 in 5/05 for one with a
cabinet.
McIntosh MR
74 (1972-79, $849, photo)
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Former Stereophile reviewer Don Scott compared a modified MR 74 to a stock MR 78 and said: "I thought the MR 74 was better in oscillator stability (less drift) and every bit as good in selectivity and sensitivity. This was using just one Murata 110 kHz filter in place of the 230 kHz (?) filter they used. I would think that using two IF filters in series, and replacing the IF-amplification transistor on the little separate super-narrow IF board with one with more gain, would yield even better results. I think it would beat [the MR 78] hands down." Our contributor John B. says, "The MR-74 has one of the best AM sections of any tuner I have owned, although that only applies if it has been modified by the addition of a 10 kHz whistle filter, which the stock unit lacks for some reason." Our contributor John L. points out that the MR 74 has variable selectivity for AM as well as FM. Our contributor Hank A. adds, "The MR 74 has wonderful sonics and is the quietest tuner I own" out of many top
tuners. Our contributor Kent says, "The MR 74 is a much better tuner than any of the Magnum Dynalab units. The MR 74 is the best solid state tuner Mc built for sound quality. Excellent AM section, too. The RF performance of the MR 74 is excellent and the audio quality is superb. A best buy for your dollar. I am chief engineer of two NPR outlets in East Tennessee and we use MR 74 tuners as air monitors." Our contributors Tim and Ann did a wonderful writeup of the MR 74 and other Macs in the Yahoo McIntosh
Audio group, with a follow-up here.
See Roger
Russell's site for more information. The MR 74 generally sells for $400-600 on eBay, but nice examples (particularly with wooden cabinets) can sell for
$700-800.
McIntosh MR
75 (1980, $1,400)
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Honorable mention. Our contributors Tim and Ann discussed the MR 75
and other Macs in the Yahoo McIntosh
Audio group. The MR 75 usually sells for $475-800 on
eBay.
McIntosh MR
77 (1970-78, $699, photo)
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The MR 77 is not quite an MR 78, but maybe pretty close if the
specs listed on Roger Russell's
site are accurate (but we're not so sure that they are... see
our FMtuners
group for details). Our contributors Tim and Ann discussed the MR
77 and other Macs in the Yahoo McIntosh
Audio group, with a follow-up here.
Our contributor Brian L. says, "I've owned the MR 77 since new and
it has gone up against some very good tuners and its sound has
consistently been the winner. When I put it up against my Philips
AH-6731, it was neck and neck for sound. Very close, with the Mac
being slightly more smooth and preferred to the Philips." Here is an Audio magazine article written by Richard Modafferi, the designer of the MR 77, about Rimo filters. Sale
prices for the MR 77 on eBay have been trending higher the past
couple of years, with $500-800 now typical. A nice-looking MR 77
with a beautiful wooden cabinet sold for $1,075 in 2/05, and a mint
one went for $1,275 in
3/06.
McIntosh MR
78 (1972-79, $1,699, photo)
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A wonderful classic analog tuner with great sound, sensitivity and selectivity, the MR 78 was "the" tuner in some circles (including among DXers) in the '70s and still holds its own against newer tuners that sell for higher prices despite less solid construction (the Fanfare tuners come to mind). See Roger Russell's site for the specs. Our contributor David Rich notes, "The MR 78 is double-tuned at the input, then has a cascoded (better linearity) RF stage followed by another double-tuned filter." Here's our panelist Bob's detailed description of the MR 78's layout: "5-gang front end, implemented as follows: 2 gangs, followed by cascode RF power amp (Nch. JFET driving NPN bipolar), then 2 gangs, then balanced mixer (IC1, no common ID), then double-tuned IF transformer. Then the IF switching starts - at the super-narrow section, which uses a packaged crystal filter similar to a ceramic (connections are in-gnd-out). Normal and narrow bypasses it. Normal uses 4 double-tuned transformers, set up as 2 - amp - 2. Narrow adds 4 more double-tuned transformers, to makes the composite filter 4 - amp - 4. So the normal IF filter is 8 poles, and narrow adds 8 poles, for a total of 16 poles." Bob is not sure whether the MR 78's designers counted the double-tuned IF transformer at the mixer output as part of the normal filter, because it is not labeled as a filter on the block diagram; if it is counted, the normal IF filter would be said to have 10 poles. Despite its fantastic selectivity, the MR 78 is no longer the premier tuner for DXers because its selectivity can now be matched or exceeded by a less expensive tuner modified with narrow ceramic filters. Our contributor Ed Hanlon suggests that an MR 78 be tuned up: "After mods, it's a top-flight performer. However, audiophiles have noticed that the very top frequences sound like they're missing." Our contributor John Byrns points out that "there are at least two different versions of the MR 78 with different audio stages. The early MR 78s have no low-pass filtering before the outputs, while the later models add a pair of 'brick wall' three-inductor 15 kHz LPFs and a pair of buffer amplifiers." Our contributor Jovit identified three different versions of the MR 78 when describing how to change the de-emphasis in our FMtuners group. Our contributors Tim and Ann discussed the MR 78 and other Macs in the Yahoo McIntosh
Audio group. Here is an Audio magazine article written by Richard Modafferi, the designer of the MR 78, about Rimo filters. MR 78s with wooden cabinets usually sell for $950-1,100 on eBay, while the $800-1,000 range is more likely sans cabinet, but prices are very dependent on condition -- cosmetically challenged pieces can sell for as little as $600 or so on eBay, while those in mint condition may sell for much higher. A decent-looking MR 78 without a cabinet inexplicably sold for $1,525 in 5/05. See how one MR 78 sounded compared to other top tuners on our Shootouts page, and read our panelist David "A"'s treatise on the MR 78 on the Ricochets
page. Our contributor Charles posted a great review of
the MR 78, and a worthwhile follow-up,
in our FMtuners group. A final caution for eBay buyers: for a big, heavy piece, the MR 78 is very sensitive to being bumped during shipping, especially the front panel lamps. [EF][JR]
McIntosh MR
80 (1980-85, $2,499, front1, front2, back,
Audio review)
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The MR 80 has an LED frequency display despite its analog tuning knob and mechanical tuning capacitor. Its digital readout in lieu of tuning and signal meters can be cumbersome for a DXer because it is difficult to determine where the edge of a channel is when detuning. (This should be less of a problem for
non-DXers, who are more likely to tune stations with the MR 80's "lock" circuitry engaged.) The MR 80 has 4 presets that are like little separate tuners, and the tuning knob acts as a fifth preset. Some controls are located on the top of the tuner. The MR 80 has two IF settings, compared to the MR 78's three, but most of the comments above regarding the MR 78 apply to the MR 80 as well. Our panelist Bob says, "The MR 80 is clearly designed to a higher standard for difficult-signal reception, at least on paper. In the RF front end it uses the superbly overload-resistant 'cascade' amp design (as seen in the MR 78), but it has 5 *varactor* gangs. It has 2 gangs before the RF amp, which is the optimum configuration for strong out-of-band signal rejection. The mixer is balanced, using two JFET transistors, feeding the IF output transformer. In the IF it has a selector to engage a 'super narrow' quartz crystal filter, which then feeds the 'narrow' IF path. The narrow IF (the definition on the schematic, not mine)consists of 5 ceramic filters, 5 IF amps, and a limiter amp. If we take that literally, the MR 80 has super narrow and narrow modes, and no wide. After the diode type detector (both diodes point the same way on the schematic, Foster-Seeley type?), the MPX circuit uses the LM-4500. There are separate L,R separation adjustments, followed by op-amp buffers, then 19 and 38 kHz notch filters, then a stage that appears to be an op-amp based low-pass filter, at least four poles. This is a complex and expensive implementation not usually seen except on 'statement' high-end tuners. On paper, the MR 80 would not appear to be the best choice for an audiophile, due to lack of the RIMO low-distortion IF filter found in the MR 74, MR 77 and MR 78. That to me appears odd, especially with the care given to the sonics of the MR 80's MPX stage. Typically 5 ceramic filters do not yield the lowest distortion. Maybe it doesn't matter?" Bob adds, "All the ceramic filter stages are individually given the proper 330-Ohm input and output impedance, which is the best way (many other tuners use two filters in a row, without a gain/buffer stage to separate them). But lacking in the MR 80 are the adjustments (cap and pot) seen in Yamaha tuners to dial in the lowest possible distortion from the ceramics." See how one MR 80 sounded compared to other top tuners on our Shootouts page. Our panelist Eric found that one sample of the MR 80 sounded as good as or better than an MR 78, and the MR 80 even has slightly better specs (see Roger Russell's site). The MR 80 usually sells for $800-1,000 on eBay, with a high of $1,992 in 5/05 when two newbies went berserk, but anyone who is patient should have no problem buying one for $800 or less. [EF][JR]
McIntosh MX 113
search eBay or
search eBay Our contributors Tim and Ann tell us that the MX 113 tuner-preamp has essentially the same tuner section as the MR 74, "but the MX 113's audio output is handled via completely different circuitry than in the MR 74. In the MR 74's design, after the signal leaves the MPX section, it is routed to a very simple output amp (remember the 'KISS' rule) [keep it simple, stupid - Editor] that amplifies the signal and sends it to both sets of outputs on the MR 74. The volume control on the MR 74 is completely passive in nature and only attenuates the signal from the output amp, which explains why the sound quality from both sets of outputs on the MR 74 is identical. In the MX 113, however, the PHONO preamp is utilized as the circuit that amplifies the FM signal output from the MPX section of the tuner. Additional signal processing takes place here in that the RIAA curve EQ is not applied to the signal from the MPX section AND the gain of the phono preamp has to be reduced from ~120 to 10 when it is handling the output from the MPX section. This output is sent to the Tape Out jacks and the preamp's line section. The end result is that FM on a stock MX 113 is not going to sound the same as FM on a stock MR 74 because of the additional complexity in how the FM signal is processed in the MX 113." Our panelist Ray says his MX 113 "came up a tad short" of the Pioneer TX-9800 and Hitachi FT-5500 MKII for sensitivity, and equalled the FT-5500MKII for overload rejection. [RFM]
McIntosh MX 114
search eBay or
search eBay According to Tim and Ann, the MX 114's tuner section is basically the same as the MR 74, but read the caveat in the MX 113 writeup above.
McIntosh MX 117
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The MX 117 is a tuner-preamp that uses the same tuner as the Mac MR 75. Our panelist Bob offers this analysis: "The MX-117 has 5 analog gangs, a typical 4-pin MOSFET RF amp, and a MOSFET balanced mixer. Two of the gangs are before the RF amp (when the 'preselector' switch on back panel is engaged, which would likely make this tuner very flexible for both city dwellers and remote DXers.
It has 4 ceramic filters with 4 gain stages, which is in no way an 'economy' design. All the ceramic filter stages are individually given the proper 330-Ohm input and output impedance, which is the best way (many other tuners use two filters in a row, without a gain/buffer stage to separate them). But lacking in the MX 117 are the adjustments (cap and pot) seen in Yamaha tuners to dial in the lowest possible distortion from the ceramics. The MPX stage uses an unidentified chip, which directly drives a block identified as the 'MPX' filter, followed by an op-amp stage. This is more typical of what is seen in most other 'common' tuners." Our contributors Tim and Ann evaluated the MX 117 in our FMtuners group, and did a lengthy shootout with the MR 74 here. They conclude, "For sound, we think the MX 117 gives our MR 74 a real run for the money, and the MR 74 wins by a mere slight nose on sound quality. But, and this is a big but, if we needed to DX or listen to stations weaker than the ones we listen to, we'd happily use the MX 117 as our primary tuner as it is more sensitive than the MR 74. Our big beef with the MX 117/MR 75 is that this is when McIntosh dropped the ability to choose between wide and narrow selectivity in their tuner line, and all subsequent tuners they have designed and manufactured operate at a fixed selectivity. The MR 80 was the last tuner they made and designed that had adjustable selectivity. We hear a slight roll-off of the highs on our MX 117 that we do not hear on our MR 74 and this, and the very slightly more natural midrange reproduction we hear with the MR 74, is why we prefer the MR 74. But again, if we were signal-strength challenged, we'd happily choose the MX 117/MR 75."
MCS
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MCS tuners were sold by J.C. Penney. Our research indicates that
most low-end department store-brand electronics was made in no-name
Asian factories and store employees would tell potential customers
almost anything as part of the sales pitch. We've heard from a
couple of sources that Matsushita (Panasonic/Technics) manufactured
some MCS turntables, so there may be some truth to that. Still, we
would steer clear of eBay sellers like "dennyone" who claim that
Kenwood, Pioneer or another major company was the manufacturer of a
given piece of MCS, LXI (Sears), or similar equipment. We would
also suggest that no one pay more than $20 or so for a typical MCS
tuner, but there are exceptions: those who are looking for a tuner
with AM stereo capability might consider the MCS 3050 listed below,
and the MCS 3700 and (presumably) the 3710 were made by NEC and
might also be worth a
try.
MCS 3050 (photo)
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The MCS 3050 is one of the few tuners with AM stereo capability.
John Byrns says, "The AM reception of the MCS 3050 is better than
the Carver TX-11a - it doesn't have the high noise level of the
TX-11a. Unfortunately, the sound of the MCS 3050 is very gritty and
sibilant on both AM and FM, while the sound of the TX-11a is
undistorted save for the background hiss." The 3050 tunes in 10 kHz
steps by pressing the up-down button, or by pre-tuning. The memory
bank intermixes AM and FM stations, so preset 1 could be used for
an FM station while preset 2 could be an AM station. The stereo
light comes on for both FM stereo and AM stereo stations (AM takes
about three seconds to lock in). The 3050 usually sells for $10-40
on eBay, but $50-60 or even higher is
possible.
MCS 3700
(photo)
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This fairly attractive-looking black tuner was the twin of the NEC
Authentic Series AUT-7000E (photo). The
MCS 3700 had a heavy gauge black matte-finish aluminum faceplate,
metal chassis, solid metal knobs and smooth flywheel tuning system.
There's also a 3701 (front, back)
search eBay), that may be similar to the
3700. A 3701 and its matching amp sold for a total of $10 on eBay
in 3/06, and $5-20 is typical for the tuner (one even went for
$1.00 in 3/06). Our contributor Jeff H. reports that the apparently
similar 3710 (photo,
search eBay) has some features that the
3700 doesn't have, including variable level outputs that are
adjustable with a front-panel control, multipath outputs and MPX
filter. The 3700 and 3710 can be found for $15-50 on eBay, but one
3710 sold for $83 in 5/06. We don't know anything about the 3705
(photo,
search eBay), which is quite different
from the others despite the similar model number and often sells
for just $5-15 on eBay; or the 3720, one of which sold for $40 in
3/06.
Meridian Model 104 (1978, $650)
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Read our panelist Jim's review of the Model 104 and see how it
sounded compared to other top tuners on our Shootouts page. Two Model 104s sold for
$311 and $281 on eBay in 1-5/05.
[JR]
Meridian Model
204 (1987, $1,200) and Meridian Model 204 MK II (1993, $1,200)
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Honorable mentions, based on our panelist Jim's opinion of the
Model 104 and Model 504. The Orion Bluebook lists both of these
models and says that the MK II version has 18 presets, but we don't
know anything else about either of these digital synthesizer
tuners. If you do, please post the details in our FMtuners
group.
Meridian Model
504 (1993, $1,300, photo1,
photo2)
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The "Boothroyd Stuart Meridian 504" (as it says on the front panel)
is a very well-built digital tuner. Our panelist Jim opened up a
504 and reports: "Inside the heavy steel cage you see the main
circuit board in the back left, the power supply and front display
board in the right rear corner, and the transformer in the right
front corner. They all do their jobs and were obviously located so
as not to interfere with one another. To suppress noise between the
boards, the designers used four ferrite beads at the input of the
main board coming from the power supply with four more on the power
supply board. An LM4500 multiplex chip is used with polypropylene
caps in the deemphasis circuit. The audio stage has two bi-FETs, an
OPA 275 followed by an LF353. Four poly caps are here, too, and the
main decoupling on this board consists of four Nichicon Muse
electrolytics at 1000 uf 16 volt each. I see only two
normal-looking ceramic filters. There are two filters marked Pilot
Tone Left and Pilot Tone Right, and a third marked Birdy Filter. If
this sounds like a tuner designed by a DIY team, you're right. That
is what they do at Meridian and maybe one reason DIY has filtered
down to us. One more thing, it sounds great." The Model 504 can
sell for $460-835 on eBay, with a high of $910 in 7/03, but one was
a drastically underpriced $199 "Buy-it-Now" in 4/04. See how the
Model 504 sounded compared to other top tuners on our Shootouts page. There's a page on the 504
on Meridian's website. The Orion
Bluebook also lists a Model 604 that was supposedly manufactured
from 1993-1995 at a list price of $2,200, but no one we know has
ever seen one. [JR]
Mission Cyrus
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Please post in our FMtuners group if you
have any information about the Mission Cyrus. It usually sells for
$110-175 on eBay, but one inexplicably sold for just $46 in 2/05.
Mitsubishi
DA-C20 (1979, $490, photo)
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The DA-C20 is a combination tuner/preamp that, despite the "20" in the model number, seems to be more similar to the DA-F10 than the DA-F20. The DA-C20 has 4 gangs and decent, but not exceptional, sound and selectivity, according to our contributor Ryan. The DA-C20 has two IF bandwidths, using linear-phase LC filters in the wide IF bandwidth mode and ceramic filters in narrow mode, like the DA-F20. A tuning lock circuit that will grab onto a nearby strong signal may make the DA-C20 a poor choice for DXers. Our contributor Tim, who worked for an audio dealer, says "When customers came in inquiring about the Marantz 2325, we showed them the Mitsubishi DA-C20 tuner/preamp coupled to either the
Mitsubishi 70 wpc or 100 wpc amp. These two units would actually 'dock' together and it was a much better performing and sounding unit than the Marantz 2325 receiver. And we never had any come back for service." The DA-C20 usually sells for $100-170 on eBay, but as low as $50-60 is possible. The alltime high was $202 in 4/06 until two silly newbies ran up the price of another one to $255 in 5/06.
Mitsubishi
DA-F10 (1977, $300, photo)
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The FM/AM DA-F10 has a 4-gang FM front end with a dual gate FET RF
amp. Our panelist Bob says that the DA-F10 "is not just like a
DA-F20 with meters - it's totally different inside, like the
difference between a Sansui TU-717 and TU-919." Our contributor
Bill Ammons reports: "At first glance the DA-F10 appears to have
two IF strips - there is one IF strip that drives the H&V
multipath scope outputs and the second is for the RF path. [There
are two ceramic filters in each strip. - Editor] In the wide IF
bandwidth mode it uses a 6-pole linear phase filter block, while in
narrow mode there are 2 standard 230 kHz filters switched in before
the 6-pole filter. The DA-F10 sounds great, and is fairly selective
even in the wide IF bandwidth mode. This unit is very easy to get
to the circuit board to do mods. I changed out the two 3-pin 230
kHz filters with new 150 kHz Muratas, and with the narrower filters
this tuner is now within shooting distance of what the Carver
TX-11a (stock) can do." Bill also makes some suggestions for audio
section mods in our FMtuners
group. Unfortunately, the DA-F10 has an overactive crystal lock
like the Sansui TU-919, and a combined stereo/mono and muting
on/off switch that prevents one from choosing to listen to weak
signals in stereo (muting can be defeated only by switching to
mono). The DA-F10 usually sells for anywhere from $50-130 on eBay,
and one even went for a shocking $186 in 7/05.
[BF]
Mitsubishi
DA-F20 (1978, $430, photo, specs/controls, schematic, alignment guide)
search eBay
The DA-F20 is an unusual-looking FM-only tuner whose front panel
resembles an automobile dashboard. It has a 5-gang traditional
tuning capacitor front end, and crystal referenced tuning with
digital LED readout. It also has a discrete output stage and decent
ergonomics. The DA-F20 has two wholly independent IF paths, each
with its own detector, with linear phase LC filters in the wide
path and standard 3-pin ceramic filters in the narrow path.
Wide/narrow switching is done by a front panel switch that selects
which detector output feeds the stereo MPX circuit. Our panelist
Bob was able to easily mod the narrow filter path and install
better filters in place of the original Toko filters, which were
out of spec. After he replaced the narrow filters, it was necessary
to retune the narrow detector. This, along with tweaking the RF
front end, brought the tuner to fantastic working condition. Bob
reports: "The DA-F20 is one of my top tuners. I like the tight
bottom end and clean reproduction of brass and strings, and it's
one of my most sensitive and quiet units in stereo mode with no
blend or MPX filter applied. One of the things I like best about
the DA-F20 is the ease of tuning, especially for an analog front
end, digital LED readout unit. There is no complicated mechanism,
simply 3 LEDS that let you glide through a station, and a lock
indicator to let you know when it is dead-on. With numeric counter
type readout, wide-narrow filters, and separate mono-stereo and
muting switches, this is a tuner that gets it right for usability."
But Bob cautions, "The DA-F20 needs honing to make sure it's not
trying to play your station while tuned in the weeds (i.e., 50 kHz
off the channel center). Sometimes this means narrow filter
replacement with matched filters to the existing wide LC filters.
If your alignment guy cannot/does not do this, it has not been
fully done. And not many can. It's expensive to keep thousands of
sorted filters in stock. It's expensive to buy the equipment to
sort them, and time-consuming to do it. After seeing four of these
pass my test bench, all four got new filters - they really needed
it. I do this mostly for fun, when I have the time. If you want to
pay someone, talk to Ed Hanlon or Bill Ammons." Our contributor
Hank calls his DA-F20 "one of the most sensitive tuners I have. It
can be bought and modded so inexpensively and made so good, it is
virtually self-recommending. When the internal balun is removed,
matched filters installed (or, even better, a Bill Ammons'
Filter-Adder board or two), improved capacitors in the audio
circuits added, and (it goes with saying) a good alignment, this
tuner becomes a great tuner." Our contributor Thrassyvoulos says, "My DA-F20 sounds and receives absolutely terrific and is very quiet, too. I would put it in my top 6 overall (along with the TU-9900, TU-919, Toshiba ST-910,
Pioneer TX-9100 and Denon TU-850, and maybe Yamaha TX-2000), and
about the same as far as sonics alone are concerned." Our contributor Thomas adds, "The DA-F20 stock is one of the best I've ever heard. It's really a
miracle to me because Mitsubishi wasn't well-known as a tuner
builder. The parts are of very good quality compared to its time
companions (class of '78). Read the schematic diagram and you can
see that there are a lot of widely recommended features like LC
filter and ratio detector. The detector (wide) is discrete, as is
the audio stage. The PSU is not bad at all. If you want to replace
the coupling caps of the audio stage (which I recommend as a first
modification), there will be enough space under the PCB." But while you're reading the schematic, heed our panelist Ray's cautionary note: "The schematic incorrectly depicts the output wiring from the PC board to the jacks. It shows the left channel output feeding the right channel jack and vice versa. The unit itself was correctly wired." See how one DA-F20 sounded compared to other top tuners on our Shootouts page, and read our panelist Jim's comparison of a stock DA-F20 to an aligned one on the Modified Tuner Report page. Our contributor John C.'s mods to the DA-F20 are on the DIY Mods page. Sale prices for the DA-F20 on eBay have climbed steadily from under $100, to $120-200
in early 2004, to mostly $275-360 in 2005, to mostly over $400 in
early 2006. The alltime high was a bizarre $521 in 3/06. DO NOT
OVERPAY; THIS IS NOT A RARE TUNER! We predict that prices will
return to the $200-300 range eventually.
[BF][EF][JR]
Mitsubishi
DA-F30 (1981, $400, photo)
search eBay
Thanks to Bill Ammons for this technical analysis of the FM-only
DA-F30: "The DA-F30 uses a small voltage-tuned RF front-end
assembly. It looks to have a FET RF amp and bipolar mixer stage.
The IF strip consists of a 280 kHz ceramic filter, followed by
one-half of a LA1222 IF Amp IC driving a second 280 kHz ceramic
filter and the second half of the LA1222. The LA1222 then feeds a
third 280 kHz ceramic filter. In the WIDE IF mode the signal is
routed to a HA11225 quad detector IC. In the NARROW IF mode, the
signal is routed to one additional 280 kHz filter, plus an
additional IF filter stage, which then feeds the HA11225 IC. The
HA11225 detector then feeds a KB4437 stereo decoder IC. The stereo
decoder IC then feeds the audio low-pass filter driver IC, which is
a uPc4558. The de-emphasis pole is in the feedback network of the
IC stage. The IC then drives an LC audio low-pass filter block. The
filter block then drives the left and right output audio output
stages which are emitter followers. Stereo separation is adjusted
by cross coupling channels at the audio driver IC. The controller
IC for the unit is a uPcD1704 IC. Suggested upgrades: Replace the
uPc4558 with a bi-fet IC, TLO-72 or better; increase C125 and C126
to 33 uF; increase C160 to 33 uF; increase C172, C173, and C181-183
to 10 uF; replace CF101-103 with swept matched SFELA10M7FA0G 280
kHz ceramic filters; and replace CF-104 with a 230 kHz
SFELA10M7GA0G filter." Our contributor George T. adds, "The
DA-F30's chassis is about as flimsy as I have ever seen, but it
received real well with a folded dipole. But the real surprise is
the sonics. It has a discrete output stage - kind of a novel
circuit at that. The frequency extremes were there, but the mids
were a little off and the top seemed too hot. I did a direct
comparison to a modded and aligned Pioneer TX-9100 and preferred
the smooth mellow sound from the TX-9100. But then I rebuilt the
DA-F30's power supply and output stage with fresh high-quality
parts. Now the sonics are a killer! The audio is close to my disc
player and phono. The Pioneers had put the Kenwood in the closet.
Now the DA-F30 is putting the Pioneers in a stack in the closet."
The DA-F30 is fairly common on eBay and usually sells for $35-75,
but over $100 is possible.
Mitsubishi
DA-F620
search eBay
Thanks to Bill Ammons for this review of the DA-F620: "The DA-F620
is a 3-gang analog AM-FM tuner. The RF front end is a simple 2SK55
J-FET (not a MOS-FET) which is followed by a bipolar mixer. The IF
chain consists of two 280 kHz filters with one bipolar gain stage.
The FM detector is a KB4420B quad detector IC. This drives the
KB4400 multiplex decoder IC. The multiplex decoder IC drives a
bipolar output stage. There is no stereo separation control, hence
expect about 40 dB stereo separation at most. The AM section is
based on an HA1197 AM IC. There is an analog center tuning meter,
and a 5-LED bar type signal level meter on the front panel. With a
simple audio and stereo signal chain, only a few audio
modifications are possible: C132-133, change 1 uF stock to 10 uF,
and C164-165, change 0.47 uF stock to 10 uF. A 500 K 10 turn pot
could be connected between pins 4 and 5 on the KB4400 IC to add a
stereo separation control. For IF modifications: use an IF Filter
Adder PCB where CF102 was. For best audio quality, use three
SFELA10M7FA0G (280 kHz) filters. For better selectivity, use a 280
kHz FA0G filter to replace CF101 and two 230 kHz SFELA10M7GA0G
filters in the IF Filter Adder PCB." The DA-F620 usually sells for
$20 or less on eBay.
Musical Fidelity
search eBay
Please post in our FMtuners group if you
have any information about any Musical Fidelity tuner. We're
tracking eBay sale prices for a couple of models in the On-Deck
Circle.
Myryad
search eBay
Please post in our FMtuners group if you
have any information about any Myryad tuner. We're tracking eBay
sale prices for a few models in the On-Deck
Circle.
NAD 4130
(1986, $230, photo)
search eBay
We'll leave this one to our contributor "ilimzn": "This simple PLL
tuner uses a Matsushita front end with the electronic equivalent of
4 gangs, offering good selectivity and decent image rejection -
nothing spectacular for the latter but certainly excellent for the
price! The tuning system provides 5 presets for each band,
frequency, 'tuned' and centering indications. The IF uses matched
ceramic filters with amplification in between and, while not
cutting off the sidebands to utmost perfection (like some $1,000
tuners!), it offers less distortion and better sound quality for
the frequently overmodulated local stations. Although typically NAD
no-frills (to the point of being nondescript), this tuner does have
an interesting feature that is never seen on such a cheap device:
dynamic FM hi-blend noise reduction. Unlike fixed FM blends, or
those with steps, this system actually monitors the output signal
for HF noise created by FM de-multiplexing and dynamically adjusts
the amount of mono-to-stereo blending to cancel out the distortion.
This useful feature is also defeatable, when you want to listen to
the purest sound from a high signal station." Like most inexpensive
digitals, the 4130 tunes in 200 kHz increments. Our panelist Bob
adds that the 4130 has a single IF path and uses a quad detector,
the LA3380 MPX chip, and an NJM 4023 dual op-amp per channel on the
outputs. The ceramic filters are configured as follows: mixer,
single-tuned IF t-x, JFET amp, CF1, LA1222 amp, CF2, LA1222 amp,
CF3, LA1235 limiter/detector chip. The 4130 can usually be found
for $50-80 on eBay, but a mint one sold for $117 in
12/05.
NAD 4150
(1982, $340, photo, Hi-Fi News Review)
search eBay
and NAD 4155 (1985, $450, photo)
search eBay
NAD claimed that the 4150's sensitivity "exceeded the theoretical
limit," and one stereo magazine reviewer agreed, but our panelist
Eric found that his used 4150 fell well short of that. Furthermore,
selectivity was absolutely awful unmodified, although it improved
markedly with narrow filters. Perhaps it was out of alignment? The
4150 and 4155 have digital tuning but only 5 presets. NAD claims
that the 4150 was the first tuner to use Schotz noise reduction
circuitry, while the 4155 used something they called the "FM Noise
Reduction System." Like most NAD products, they were good values
when new and still sound pretty good on strong signals. See how one
4155 sounded compared to many top tuners on our Shootouts page. Our contributor Sean
found the sensitivity of the model 4125 (1985, $200, photo
search eBay) to be the best of all his
tuners. Our contributor John V. cautions that NAD tuners were
apparently not built to stand up to rough handling in shipping.
There are a ton of NAD tuners on eBay and many of them sell for
under $100, so those who want one need not overpay. The 4155
normally sells for anywhere from $70-170, but as low as $40-55 is
possible and a mint one went for $235 in 11/05. The 4150 normally
sells for $40-75, but over $100 is possible.
[EF]
Naim NAT 01 (1985, $3,750, photo, back)
search eBay
The NAT-01 is a rare, ridiculously pricey, minimalist British tuner
with a reputation for good sound. NAT 01s with the "NAPST" power
supply have sold for $1,200-1,825 on eBay in the past several
years, and one NAT-01 sold for $2,600 in 2/05 as two morons chased
each other up from $1,401. See what our panelist Jim thought of one
particular NAT 01 on our Shootouts
page.
Naim NAT 02
search eBay
Beats us. Please post in our FMtuners group if
you've ever used one. Four NAT 02s sold for $821-1,300 on eBay
between 3/03 and 8/05, in no apparent pattern, and one went for
$711 in 5/06.
Naim NAT 03
search eBay
We're stumped again. Please post in our FMtuners group if
you've ever used one. The NAT 03 appears to be somewhat less rare
than its siblings and usually sells for $560-675 on eBay (low $495,
high $810).
Naim NAT 05
search eBay
Our contributor Max reports from Italy: "I pick up invitation to comment on the NAT-05. I owned an Onkyo T-9090II, which I sold to a friend who wanted it. It was, as you all know well, very good, though sounding a bit too warm sometimes. I live in a not very difficult area, but neither it's a feast of reception. Then I was able to try a Kenwood L-01T: better in sound, I should say, than the Onkyo - somewhat brighter and more dynamic. Excellent in reception. But manual tuning each time, and having to correct it sometimes, no thanks... Then I bought the Naim, because I know the brand well and I had their gear already, and it was a bargain. Now the Naim has no regulations, but they kind of declare it as a line of thought: enjoy music the most, tweak the least. It catches stations perfectly, is very silent, easy to use, has a light and clear sound with good, articulated bass, is dynamic and has good looks - though this is my opinion only. Since I caught, in the review of the NAT-01, a glimple of irony on the minimalism of the tuner, I say: mind you, the Naim have a reputation as good-sounding tuners, and they are." Three NAT 05s sold for $735-846 on eBay in
7-11/04.
Nakamichi ST-7 (1985, $849, photo)
search eBay
The ST-7 was a pricey black digital tuner with Schotz noise
reduction circuitry. Our contributor Tom thinks it sounds great and
owns two of them. Our contributor Bill T., on the other hand,
sounds pretty convincing: "I think it's a neat-looking tuner, and I
really wanted to like it. First, I thought the tuner was either
misaligned or malfunctioning. I had it checked out and was advised
that it worked just fine, so I thought it was just the fact that I
resided in a low-lying area and that my reception just sucked. Then
I picked up a Kyocera T-910, just to try it out. Well, the Kyocera
had much better selectivity, it picked up more stations, and even
sounded better than the ST-7. It also appeared to have been built
better than the ST-7. The Kyocera, however, sounded somewhat thin
and closed-in. I'm stubborn, though, so I acquired a second ST-7 in
mint condition. Its performance was on par with the first unit. So,
I put them both on eBay, and they were promptly snatched up. The
people I sold them to absolutely love them. As they say, to each
his (her) own. I suppose, however, that the ST-7 could be made to
sound good, as long as you were no more than 10' away from the
broadcast tower." See how one ST-7 sounded compared to many top
tuners on our Shootouts page, but note our contributor Mark S.'s possible correction for Jim: "I noticed in the Shootout that the reviewer [Jim] stated that the ST-7 didn't have a wide-narrow setting but in fact it does. On the back panel of mine is a wide-narrow switch right next to the de-emphasis switch. Mine also has variable output limiters. Mine is a multi-voltage unit - could the difference be that [Jim's] sample was a 110v only unit and didn't have the extra adjustments, or did [Jim] just not notice them?" The ST-7 usually sells for $160-250 on eBay, but as low as $94 (in
7/03) or as high as around $400 for a "new old stock" ST-7 are both
possible. Three crazy people ran one up to $460 in 11/05, and one
very silly person who paid $425 in 3/06 was the only bidder on that
one. The Japanese ST-70, as seen on k-nisi's website, was
identical was identical to the ST-7 cosmetically but we don't know
about its circuitry.
Nakamichi 430
(1978, $440, photo, closeup)
search eBay
The 430, Nakamichi's only entry into the analog component tuner
market (not including the 630 tuner-preamp), has 5 gangs and two IF
bandwidths. The wide IF bandwidth is fully shielded on both sides
of the circuit board, but appears to be made up of flat group delay
LC filters. The narrow IF bandwidth uses 3 of the older style 4-pin
ceramic filters. The front panel has pushbuttons for wide/narrow,
stereo/mono, muting, high blend and output level, and the dial
pointer has two lights on either side of the frequency indicator
that indicate center tuning. The 430 is one of very few tuners that
was available with Dolby FM built in, albeit at an additional cost.
Our contributor Tom M. tells us, "The dealer would install a little
PCB card if you bought it. The button is there on all of the units,
but I do not know what it does if you did not purchase/install the
Dolby option. This tuner is indeed a thing of beauty." Our
contributor Ryan reports that the 430's build quality is among the
very best that he's seen: "Nakamichi pulled off a packaging miracle
with this tuner. Although the package is small, the power supply,
tuning cap, IF strip, discriminator, and a few other things are all
separately shielded. A lot of the circuitry is on plug-in riser
cards and the wiring is terminated with Nomex style plugs. I can
only think of a few other tuners that approached this level of
build quality." Ryan also says that the 430 is one of the
best-sounding vintage tuners that he has heard. The 430 is fairly
rare and usually sells for $150-180 on eBay, but as low as $90 and
over $200 are both possible. A nice one with a custom cabinet sold
for $295 in 1/04 and one went for $255 in
2/06.
NEC T-710
search eBay
Thanks to our contibutor Dave N. for this writeup: "The T-710 is a 4-gang, dual-gate front end MOSFET design, that features copper foil capacitors. That means that it still sounds like new, after 15 or so years, and is very quiet. The T-710 has wide/narrow bandwidths, separate mute/mono switching, fluorescent display, auto and manual tuning of .2 kHz, calibration tone and auto and preset
channel scan. It has good sensitivity and selectivity, and outstanding sound, with notable bass, very good midrange and detailed treble. The T-710 is also remotable, with one of two compatible integrated amps--the A-610 and A-910. The [2-gang] AM section sounds pretty good." The specs include usable sensitivity of 10.8 dBf, S/N ratio of 78 dB stereo and 85 dB mono, image rejection ratio of 80 dB and IF rejection ratio of 100 dB.
Nikko: There are several Nikko tuners in
our On-Deck Circle that we'd like to
consider listing here if we can get some basic information on them.
If you've used any of them, please post the details in our FMtuners
group.
Nikko Gamma I
(1977, $400, black w/matching amp,
silver, Audio review)
search eBay
The Gamma I is a 5-gang rack-mount style analog tuner that was sold
in black and silver. It uses one LC filter and one "SAW" (surface
acoustic wave) filter in the wide IF bandwidth mode, and 4 standard
3-pin ceramic filters in narrow mode. Our panelist Bob says, "The
Gamma I has been praised by two people I trust. It uses the
HA11223W MPX chip, same as the Gamma V. Looks tough to mod, with
one board above the other, but not impossible. Looks to be discrete
outputs also." Our contributor Hank adds that the Gamma I has a
"fundamentally sound design. I have not yet had mine modified but
it has been restored (all marginal or suspicious parts replaced)
and aligned. It is a very nice tuner and I suspect that it has
significant potential for improvement." Our contributor Ryan
cautions, "At least some of these have gotten really screwed up
with age. Bob and I both had big problems with ours in wide mode
that resulted in poorer wide-mode performance than in narrow. I
blamed in on the SAW filter not matching the other filter. One of
our contacts in Germany (where SAWs were much more common) noted
that SAWs can sometimes degrade over time and become unpredictable.
I have no knowledge of the correctness of this, but I did later
take in another Gamma I for alignment that aligned perfectly and
behaved as expected. Thus, it's another unit with high variability
that cannot necessarily be brought into proper working order if
it's off. A good cautionary note for anyone, and a good reason not
to pay too much unless it has been measured, aligned, and
THOROUGHLY checked out. Incidentally, narrow-mode matching and
performance has been superb among all three known measured units."
The Gamma I usually sells for $100-175 on eBay, but as low as
$50-75 is possible.
Nikko Gamma V
(1978, $700, photo, gangs, schematic
left, schematic right, alignment guide)
search eBay
The Gamma V is a very sensitive and selective rack-mount style
digital tuner. It is a better DX performer in stock form than most
digitals we've tested, with the equivalent of 6 gangs, but the
Gamma V also sounds terrific with particularly good bass. It uses
one linear phase LC filter block in wide mode and adds two more in
narrow, both of which are adjustable for best linearity (but
because it uses no ceramic filters, it is not suitable for filter
modification). There are also dual transformers for powering the
digital and analog section to prevent corruption of the analog
power supply. Construction is all frame and beam with heavy
shielding around the front end and digital control sections, with
beams running from the front to the back of the tuner to further
isolate noise-producing circuitry from the audio circuitry. Fixed,
variable, and scope outputs are provided on the rear panel. Our
contributor Ryan recently aligned and analyzed a Gamma V, and
provides the following commentary: "When this tuner is fully
aligned, it can be better than any stock tuner I have ever heard.
The sound is superb from top to bottom, and the measurements back
it up. Spectral analysis showed that IM distortion was essentially
nonexistent, THD at any frequency over 1 kHz was at .009% or under,
and separation was 60 dB out to 10 kHz. In my experience, this just
does not happen with almost any stock tuner at any price. I
attribute this in large part to the superbly linear IF strip that
seems to pay good attention to group delay characteristics, and
good ratio detector coupled with the HA11223W multiplex. But do
keep in mind that the Gamma V is two decades old, and without
alignment you will not get these results, and because of the LC
filters, it is no ultra-selective DXer. And like many vintage
tuners, birdies can be a problem on stations loaded with SCA
subcarriers."
Our contributor Bill
T. also gives the Gamma V a rave review: "It's digitally
synthesized, has only 6 presets, and has a search feature that is
fairly primitive. Instead of a tuning knob, it has an up/down
rocker switch that's large enough to operate with your elbows. Now
the good stuff: the Gamma V is probably one of the best stock FM
tuners out there. Build quality on this sucker is outstanding.
Nikko didn't skimp on parts with this baby. I have not seen another
'70s or '80s digital tuner built this well for less than
$1,700-2,000. It appears to have better sensitivity than my
unmodified Kenwood 600T, and the Gamma's selectivity is much
better. The Gamma's sound stage is a little flatter than what you
will hear with the best analog tuners. However, width and depth are
easily the equal of the best digital tuners I have heard. The
frequency response seems to be more extended in the upper range
than the 600T (I like the sound of the Kenwood, but the highs tend
to be a little soft and rounded off)." And our contributor Hank
calls the Gamma V "a very sensitive tuner with superb sonics and
first-rate build quality. Though not *quite* the DX machine that
some of the other tuners are, this is nevertheless one of my
favorites." See how one Gamma V sounded compared to other top
tuners on our Shootouts page,
and read our panelist David "A"'s Ricochet.
The Gamma V usually sells for $130-220 on eBay ($235 in 9/05), but
someone inexplicably paid $340 for one in 10/02 (even worse, it was
"as is"). [BF][EF][JR]
Nikko NT-850
(1978, $230)
search eBay
The NT-850 has 4 gangs and 5 IF filters (although strangely, in our
contributor Ryan's sample, one of the filter slots was left empty).
Ryan tells us that the NT-850's user interface is very good, with
separate switches for IF Band, Hi-Blend, Multipath and Muting, a
selector knob for mono or stereo, and a knob for output level. The
most interesting of these is the multipath button, which allows the
user to hear the multipath component of the signal being received.
Ryan explains: "I haven't seen this feature anywhere else.
Normally, one can gauge multipath by hooking the multipath output
up to an input on the preamp. Unfortunately, this is rather
cumbersome and takes an extra input on your preamp, and even then
is only one channel. The NT-850 gives you a button that does pretty
much the same thing." Ryan also reports that the NT-850 should be
easy to mod because the removable bottom panel allows access to the
bottom of the circuit board. The NT-850 usually sells for $25-60 on
eBay but a "new" one went for $153 in
3/06.